If you want all your pencillers' work homogenized into near indistinguishability, you could hire Vince Colletta to ink them. In proto-Marvel's Love Romances, My Own Romance, and Teen-Age Romance in 1960-61, Dick Giordano has a good number of stories—some signed and many not—inked by Colletta. As distinctive as Giordano's work should be, you have to work hard to find him under the inks, and when you figure that he's the main penciller for Colletta on this run of issues, you might start seeing him where he's not.
Among the possibilities, I can follow Matt Baker's style under Colletta's inks if I work hard at it; I believe, though, he's gone from these titles just before Giordano comes on board. Odin only knows what Colletta's own pencils might look like, if indeed he's doing any at this point. The Who's Who has Hy Eisman ghost-pencilling for Colletta on Marvel romances in the early Sixties, but no one (least of all me) has found him there yet.
One story attributed to Giordano/Colletta is "Too Shy for Love" (Love Romances 94, July/61). The actual penciller I see is an Atlas/Marvel anthology book regular who inks himself (and signs himself) on stories in 87 and 95.
Consider the male figure in the first panel of each of the first two tiers above; those show Paul Reinman's typical quirk of the head best. I can tell myself I see his style in the minister in the third tier and the main character, Ruth, in the first panel of the final tier. And I don't see any signs of Dick Giordano—but that's no thanks to Colletta!
Among the possibilities, I can follow Matt Baker's style under Colletta's inks if I work hard at it; I believe, though, he's gone from these titles just before Giordano comes on board. Odin only knows what Colletta's own pencils might look like, if indeed he's doing any at this point. The Who's Who has Hy Eisman ghost-pencilling for Colletta on Marvel romances in the early Sixties, but no one (least of all me) has found him there yet.
One story attributed to Giordano/Colletta is "Too Shy for Love" (Love Romances 94, July/61). The actual penciller I see is an Atlas/Marvel anthology book regular who inks himself (and signs himself) on stories in 87 and 95.
Consider the male figure in the first panel of each of the first two tiers above; those show Paul Reinman's typical quirk of the head best. I can tell myself I see his style in the minister in the third tier and the main character, Ruth, in the first panel of the final tier. And I don't see any signs of Dick Giordano—but that's no thanks to Colletta!